(A.B. magna cum laude from Barnard College, in 2000 with a major in
Ethnomusicology; M.A. in Music from Columbia University, 2003). In her
Master’s Thesis, Welcome to the Thunderdome: Socio-Musical Conflict and the Search for Respect in the New York City Latin Jazz Scene, Melissa
examines how conflict is represented and articulated in musical style
and performance practice. Through an analytical examination of the
production of genre ideology from multiple perspectives, she argued
that musical genre, as a communicative field of action associated with
recurrent discourses and practices, is a useful conceptual framework
that uncovers the particular ways in which Latin jazz musicians situate
themselves in the scene politically, socially, and creatively. She
presented a paper based on this research at the 2005 national meetings
of the Society for Ethnomusicology. Melissa’s current research
interests include music and cultural policy, intellectual property,
genre theory, popular music studies, and the musics of Latin America
and the Latin American diaspora. She is a Columbia Teaching Fellow and
has received predoctoral fellowships from the Mellon Foundation, the
Social Science Research Council, and the Ford Foundation. She is
currently developing a dissertation project on the simultaneous
commercialization and folklorization of Panamanian música típica.
Melissa’s dissertation research is being supported by a Columbia
University GSAS Travel Fellowship, an SSRC-Mellon Predoctoral Research
Grant, a field research grant from the Institute of Latin American
Studies, and a Ford Foundation Dissertation Writing Fellowship.
Email: mg293@columbia.edu