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A conversation with Standing Rock Sioux Chairman David Archambault II (CSER) -- Wed Oct 26, 12 Noon (and Standing Rock Teach-In

Event Start: 
Wednesday, October 26, 2016 - 12:00pm
Location: 
IAB International Affairs Bldg Room 1512 (420 W 118th St.) Columbia University

The Center for the Study of Ethnicity and Race at Columbia University presents Indigenous Forum:


























A conversation with Standing Rock Sioux Chairman David Archambault II at Columbia University 

Wednesday, October 26, 12:00pm 
IAB International Affairs Bldg 
Room 1512
420 W 118th St. 











Standing Rock Teach-In! Friday Oct 28, Schermerhorn Hall 612, 6:30-9:30PM 
https://www.facebook.com/events/341027599576973/



Sacramento Knoxx at the Center October 20 & 21 (Detroit rapper and activist)

Event Start: 
Friday, October 21, 2016 - 4:00pm
Location: 
701C Dodge Hall
The Center for Ethnomusicology is pleased to announce two events featuring Detroit-based rapper, producer, filmmaker, and social activist Sacramento Knoxx.  

Performance/Hangout/Discussion (open to public)
Friday October 21
4-6PM
701C Dodge Hall (Center for Ethnomusicology, Columbia Morningside Campus)
Refreshments to be served, open to the public 

Also: Class Session for "Music in Contemporary Native America" (open to public with limited seating)
Thursday October 20
6:00-7:30PM
701C Dodge Hall
Visitors welcome, please defer to students registered in class during discussions

About Knoxx

Sacramento Knoxx is a Detroit-based Anishinaabe/Chicanx rapper, producer, media artist, poet, and social activist. His work has been widely recognized in the press and online for its innovative blending of Indigenous and intersectional critiques and themes.  He was recently recognized with the 2015 Gilda Award from the Kresge Foundation.  

Learn more about Knoxx!

Sacramento Knoxx's website
Sacramento Knoxx YouTube Channel
Sacramento Knoxx on Bandcamp
Sacramento Knoxx on Facebook
Video of "Minobidmaadziwin" (collaboration with A Tribe Called Red)
Michigan Public Radio "How hip-hop helped this Ojibwe/Chicano Detroiter define himself."
Michigan Public Radio: "Detroit hip-hop musician combines art and activism."

"The aadizookaan" is an Anishinaabe word that translates into the sacred spirit of the story, the messages we share and pass on in our visits. Knoxx uses multimedia art to build interconnections between many diverse audiences, artists, media makers, organizers, educators, cultural workers, students & the many layers of communities around the world. He explores ancestral & traditional knowledge systems using contemporary tools of hiphop culture & poetry, performance, video projections, dance, film & live music production for an innovative installation of beauty & creative storytelling to educate, inspire, & motivate.  As he says, "I organize sound through motion and rhythm. My true divinity is within my ability to create. I make music. I'm a part of a movement for social change. The real revolution is the revolution of consciousness. Think and smile."

Sacramento Knoxx Photograph © Julian “DJ HE TOOK” Jacobs


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Dr. Robin Gray (UC Santa Cruz) -- "Repatriation and Decolonization: Thoughts on Ownership, Access, and Control" (Friday Sept. 30

Event Start: 
Thursday, September 29, 2016 - 4:00pm
Location: 
701C Dodge Hall (The Center for Ethnomusioclogy)
The Center for Ethnomusicology is pleased to welcome:
Dr. Robin R. R. Gray (Presidential Postdoctoral Fellow in History, University of California, Santa Cruz)

speaking on:  "Repatriation and Decolonization: Thoughts on Ownership, Access, and Control."

Friday, Sept. 30, 2016
4PM-6PM (reception to follow)
701C Dodge Hall
Free and Open to the Public

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Members of the public are also invited to join Dr. Gray for a session of Prof. Aaron Fox's class "Music in Contemporary Native America" on:

Thursday, Sept. 29, 6PM-7:30PM, 701C Dodge Hall


This presentation is based on an assigned reading from Dr. Gray's PhD dissertation: "Ts'msyen Revolution" Chaps 1-4.

Bio: Dr. Robin Gray (Ts’msyen) holds a Ph.D. in Anthropology (2015), and a Graduate Certificate in Indigenous Studies (2015) from the University of Massachusetts.  She is currently a President’s Postdoctoral Fellow in the Department of History at the University of California Santa Cruz. Her work engages in multi-sited, community-based research projects involving the international repatriation of Ts’msyen songs from archives, and embodied heritage reclamation in an urban Ts’msyen dance group. She is also developing a comprehensive knowledge dissemination strategy based on the topic, Researching, Representing and Repatriating Ts’msyen Cultural Heritage.  

Dr. Gray's website can be viewed at:   
http://www.robingray.ca

For more information contact Aaron Fox at aaf19@columbia.edu

Prof. Alessandra Ciucci: "Performing Rurality: Music and Migration across the Mediterranean" (University Seminar in Arabic Studi

Event Start: 
Thursday, October 6, 2016 - 7:00pm - 8:00pm
Location: 
Faculty House, Columbia University
University Seminars at Columbia University
SEMINAR IN ARABIC STUDIES presents

"Performing Rurality: Music and Migration across the Mediterranean (Morocco-Italy)"

Speaker: Alessandra Ciucci
Columbia University, Department of Music

Thursday, October 6, 2016

Faculty House, 7-8 pm


Alessandra Ciucci is currently Assistant Professor of Music (Ethnomusicology) at Columbia University. She received her PhD in music (ethnomusicology) from The City University of New York at The Graduate Center. Her research interests include: the music of Morocco, North Africa, the Mediterranean, music and gender, sung poetry, and music and migration. Her articles appear in Ethnomusicology, The Yearbook for Traditional Music, The International Journal of Middle East Studies, Mondi Migranti, Cahiers de musiques traditionnelles, in the Sage Encyclopaedia of Ethnomusicology, and in several edited volumes. Ciucci has been a recipient of a Fulbright foreign scholarship grant (Morocco), a fellowship from the Jewish Foundation for the Education of Women, a grant from the American Institute for Maghrib Studies Grant, and a Junior faculty summer research grant for the Humanities and Social Sciences. Dr. Ciucci was a Mellon Post-Doctoral Fellow in the Music Department at Columbia 2008-10.

Professor Ciucci will discuss the sound of a specific notion of the rural (l-‘ǝrubiya) which, through contemporary migration, travels from central Morocco across the Mediterranean to Italy. She ethnographically explores how the sound of such a notion of the rural—as a site of aesthetic behaviors, performative acts, and signifying practices—resonates across borders through ‘abidat rma—a musico-poetic genre performed at private and public celebrations and circulated through cassettes, CDs, DVDs, MP3s, and the Internet in Morocco and abroad. She argues that ‘abidat rma challenges a sonic construction of the Mediterranean which has privileged a Eurocentric mode of listening, rather than that experienced by moving and migrating bodies. To this end, Ciucci explores how Moroccan men from the central regions of Morocco, engaged in the experience and in the imagination of migration across the Mediterranean to Italy, disrupt a seamless narrative of the Mediterranean through the performance of a specific and intimate sense of the rural in sound. She examines how the poetic language, gesture, and sound of ‘abidat rma are imbued with locality, how this sung poetry gives voice to conflicts of transformation, and how it articulates the affective and sonic lives of generations of male Moroccan migrants at a transnational level.

The talk will begin at 7:00 pm. For more information or to register for the pre-talk dinner, write the seminar's rapporteur Sahar Ishtiaque Ullah (su2156@columbia.edu) no later than Thursday, September 29, 2016.  

For a listing of Seminars in Arabic Studies, visit http://universityseminars.columbia.edu/seminars/arabic-studies/

Congratulations to Dr. Marceline Saibou!


We warmly congratulate Dr. Marceline Saibou, who successfully defended her PhD dissertation on popular music in Togo on Friday, May 13, 2016.   Dr. Saibou's dissertation was sponsored by Prof. Aaron Fox, and her committee included Profs. Alessandra Ciucci and George Lewis (Music, Columbia), and distinguished Columbia ethnomusicology alumni Prof. Ryan Skinner (Music and African Studies, OSU) and Prof. Andrew Eisenberg (Music, NYU Abu Dhabi). 

Congratulations Dr. Saibou! 

Photo from left to right: G. Lewis, A. Ciucci, M. Saibou, A. Fox

Congratulations to Dr. Sara Snyder!


We warmly congratulate Dr. Sara Snyder, who successfully defended her dissertation on Cherokee language translational poetics and early childhood immersion education on Friday, May 6, 2016.  Her dissertation was sponsored by Prof. Aaron Fox, and her committee included Profs. Bambi Schieffelin (Anthropology, NYU), David Samuels (Music, NYU), Ana Maria Ochoa (Music, Columbia), and CU ethno alumna Prof. Amanda Minks (Anthropology, Oklahoma).

Dr. Snyder has also recently been appointed as a visiting assistant professor of anthropology and sociology at Western Carolina University in 2016-17.

Congratulations Dr. Sara Snyder!



Photo, left to right: D. Samuels, B. Schieffelin, S. Snyder, A. Ochoa, and A. Fox

Barnard Music Major Thesis Presentations Thursday May 12, 4:15PM-6:15PM, 701C Dodge Hall


You are warmly invited to attend a presentation of senior thesis projects completed by graduating Barnard College Music/Ethnomusicology majors Esther Adams, Anna Koeck Ehrman, Jenny Payne, Gen Ambrose, and Delaney Ross.  

Featuring five 20-minute oral presentations, the event will occur on 


THURSDAY MAY 12
4:15 to 6:15PM 
701C Dodge Hall, The Center for Ethnomusicology

Reception to Follow

We are very proud of our thesis-writing students and encourage you to come and hear about their diverse and fascinating research projects. 
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The presentations will be in the order below; if you are unable to attend the entire event you are welcome to drop in and out.  

4:15-4:35PM  Esther Adams — "A Naïve Mélange:" Examining Racialized Properties of Sound in Harry Lawrence Freeman’s "Jazz Opera” Voodoo 

4:40-5:00PM Anna Koeck Ehrman — The Colonial Legacy of the Ethnomusicological Archive: An Exploration of ILAM’s African Music Repatriation Project

5:05-5:25PM Jenny Payne  — Now Let's Get in Formation: the Personal and Political of "Beyoncé feminism"

5:30-5:50PM Genevieve Ambrose — Wizard Rock Heartthrobs: Power, Gender and Economics in Harry Potter Musical Fandom

5:55-6:15PM Delaney Ross — Our Hawai'i: Environmental Protest Music on the Big Island of Hawai’i

For information contact Prof Fox, aaf19@columbia.edu

Adam Kielman Wins Julie How Fellowship from Weatherhead Institute!

Adam Kielman

The Center for Ethnomusicology congratulates PhD student Adam Kielman, who has been awarded the Julie How Fellowship by the Weatherhead East Asian Institute. The award provides support for a year of dissertation write-up to a student in history or the social sciences with a research focus on China.


Mr. Kielman, who is also an alumnus of Columbia College (EALAC major, LAJPP performer) is completing a dissertation on local popular music and politics in China under the sponsorship of Prof. Ana Maria Ochoa. 

Congratulations Adam!

Els Lagrou -- Cashinahua Song-Images: Reflections on an Amerindan Relational Aesthetics (Thurs April 28, 5pm)

Event Start: 
Thursday, April 28, 2016 - 5:00pm
Location: 
701C Dodge Hall (The Center for Ethnomusioclogy)

The Spring 2016 Ethnomusicology Colloquium Series Presents: 

Cashinahua Song-Images: Reflections on an Amerindan Relational Aesthetics

Els Lagrou  

(Associate Professor at the Federal University of Rio de Janeiro (UFRJ) Graduate Program in Sociology and Anthropology, CNPq (National Council for Scientific and Technological Development) Researcher Coordinator of NAIPE –Center of Amerindian Studies)

April 28, 2016 5:00 pm 
701c Dodge Hall 
Columbia University Center for Ethnomusicology
Free and Open to the Public

Columbia University Morningside Campus

Center for Ethnomusicology Indigenous Music Repatriation Projects Featured on BBC Radio 3

BBC

The Center for Ethnomusicology's project to "repatriate" Native American recordings made by collector Laura Boulton in the 1930s and 40s and purchased by Columbia in the 1960s to their source communities has been featured as part of an 
extensive radio feature on BBC Radio 3 (UK).  The feature includes interviews with Columbia ethnomusicologist Prof. Aaron Fox and former Columbia students Kristina Jacobsen (MA, Music, 2006, now Assistant Professor of Music at the University of New Mexico) and Nanobah Becker (MFA, Film, 2008, now a prominent, Sundance-winning Native American filmmaker).  The feature runs for about 45 minutes. 
Listen to it here.  (Flash Player Required)





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