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Adam Kielman Appointed Assistant Professor at Chinese University of Hong Kong, Completes Doctorate

The Center for Ethnomusicology congratulates our newest PhD alumnus, Dr. Adam Kielman!  Dr. Kielman, who also holds his undergraduate degree in East Asian Studies from Columbia, defended his dissertation, Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China, on Dec. 1, 2016.  His dissertation, abstracted below, was advised by Prof. Ana Maria Ochoa, and his committee included Profs. Chris Washburne, Kevin Fellezs, Fred Lau (U Hawai'i), and Timothy Oakes (U Colorado/Boulder).

We also warmly congratulate Dr. Kielman on his acceptance of an Assistant Professorship in Music at the Chinese University of Hong Kong, which he will begin in January, 2017.  

Congratulations to Adam!

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Adam Kielman: Zou Qilai!: Musical Subjectivity, Mobility, and Sonic Infrastructures in Postsocialist China
Abstract

This dissertation is an ethnography centered around two bands based in Guangzhou and their relationships with one of China’s largest record companies. Bridging ethnomusicology, popular music studies, cultural geography, media studies, vocal anthropology, and the anthropology of infrastructure, it examines emergent forms of musical creativity and modes of circulation as they relate to shifts in concepts of self, space, publics, and state instigated by China’s political and economic reforms. Chapter One discusses a long history of state-sponsored cartographic musical anthologies, as well as Confucian and Maoist ways of understanding the relationships between place, person, and music. These discussions provide a context for understanding contemporary musical cosmopolitanisms that both build upon and disrupt these histories; they also provoke a rethinking of ethnomusicological and related linguistic theorizations about music, place, and subjectivity. Through biographies of seven musicians working in present-day Guangzhou, Chapter Two outlines a concept of “musical subjectivity” that looks to the intersection of personal histories, national histories, and creativity as a means of exploring the role of individual agency and expressive culture in broader cultural shifts.Chapter Three focuses on the intertwining of actual corporeal mobilities and vicarious musical mobilities, and explores relationships between circulations of global popular musics, emergent forms of musical creativity, and an evolving geography of contemporary China. Chapter Four extends these concerns to a discussion of media systems in China, and outlines an approach to “sonic infrastructures” that puts sound studies in dialogue with the anthropology of infrastructure in order to understand how evolving modes of musical circulation and the listening practices associated with them are connected to economic, political, and cultural spatialities. Finally, Chapter Five examines the intersecting aesthetic and political implications of popular music sung in local languages (fangyan) by focusing on contemporary forms of articulation between music, language, listening, and place. Taken together, these chapters explore musical cosmopolitanisms as knowledge-making processes that are reconfiguring notions of self, state, publics, and space in contemporary China.

Adam Kielman Wins Julie How Fellowship from Weatherhead Institute!

Adam Kielman

The Center for Ethnomusicology congratulates PhD student Adam Kielman, who has been awarded the Julie How Fellowship by the Weatherhead East Asian Institute. The award provides support for a year of dissertation write-up to a student in history or the social sciences with a research focus on China.


Mr. Kielman, who is also an alumnus of Columbia College (EALAC major, LAJPP performer) is completing a dissertation on local popular music and politics in China under the sponsorship of Prof. Ana Maria Ochoa. 

Congratulations Adam!

Ethnomusicology PhD Candidate Adam Kielman Wins Three Major Prizes!














The Center for Ethnomusicology congratulates Columbia Ethnomusicology PhD candidate Adam Kielman, who has won three prestigious prizes for papers presented at academic conferences, in addition to a major research fellowship (Fulbright DDRA) for his work in China.

The prizes awarded to Mr. Kielman include:

The Hewitt Pantaleoni Prize  -- Awarded by the Mid-Atlantic Chapter of the Society of Ethnomusicology (MACSEM) for the best student paper presented at their annual meeting held March 23-24, 2013 in Richmond, VA. Paper title: " 'Sounds like Home': Language and Place in Guangzhou's Modern Folk."

The Martin Hatch Award  -- Awarded by the Society for Asian Music (SAM) for the best student paper on Asian music presented at the annual Society for Ethnomusicology national meeting held November 1-4, 2012 in New Orleans, LA. Paper title: "Xiandai Minyao: 'Modern Folk' in Guangzhou."

The Barbara Barnard Smith Prize -- Awarded by the Association for Chinese Music Research (ACMR) to recognize an outstanding student paper in the field of Chinese music, broadly defined, presented at the annual Society for Ethnomusicology national meeting held November 1-4, 2012 in New Orleans, LA. Paper title: "Xiandai Minyao: 'Modern Folk' in Guangzhou."
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Mr. Kielman, who is also an alumnus of Columbia College (EALAC major, LAJPP performer), has also just successfully defended his doctoral dissertation proposal, entitled "Sounding Configurations of Difference in Postsocialist China."  He is preparing to depart for field research in China with support from a Fulbright-Hays Doctoral Dissertation Research Abroad Fellowship, awarded in September 2013.
Congratulations to Mr. Kielman!


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